Commando

The only part of Commando's plot that had any complexity to it is practically exposed and explained away in the first few scenes, rather than waiting for the "big reveal"... I guess they realised they couldn't keep the main action villain off screen for that long given the amount of scenes he enlivens. Basically the plot is Colonel Matrix (yes, really), played by Arnie, has to get to his daughter (via a few henchmen) and save her from the small army of disposable guards, the dictator in charge and the main villain of the piece, all before the plane he's supposed to be on lands... and pretty much that's what you get, but with style!

Not only is Commando typical of mid-80s action films in style, I'd say it was the epitomé of the style deliberately making every set piece bigger, more explosive... and more violent (which finally we get to see in the UK this being the first time it has been released uncut over here) with every one backed up with a one-liner.

I hear much talk of 80s action movies being associated with homo-erotic imagery; to be honest most of the time I believe that the people who think this is so just aren't getting that the film was just trying to show off the that the hero was fit and had big muscles - it was called 'macho' back then - and the director probably hadn't even thought of the overtones... however, in this case I may have to concede that the main villain of the piece sometimes comes across as a muscle-bound version of Freddie Mercury and I find it hard to believe nobody noticed how camp some of his lines are... so deliberately homo-erotic or taking the mickey out of other films being so accidentally? You decide.

So in conclusion, it's taken a long time to get an uncut version of this 80s classic action blockbuster in the UK, so if you're any kind of fan of this type of film then you really should make the effort to pick up a copy.

The Blu-Ray Disc (UK; Region B)
As mentioned above, for the first time in the UK this is an uncut release (which is always good to hear) of the theatrical version of the film. The later DVD releases also included an extended version but, for whatever reason it isn't included in this, or any other, Blu-Ray release.

The picture quality is, in places, not up to the standard you would expect from a Blu-Ray of a recent release but this is often unavoidable given the film stock even the biggest films of the 80s used. However the picture is certainly better than its ever looked before with just some grainy backgrounds in wide exterior shots being the main let down - though that's not to say grain is always bad and its over-zealous removal on some recent Blu-Ray releases, giving the characters the look of shop mannequins, shows this. The interior close-ups are in fact remarkably sharp and skin tones are detailed and natural (and Arnie gives lots of chances to check this) and overall I was certainly more pleasantly surprised than disappointed.

The sound is a DTS MA 5.1 track which has been 'aggressively' mixed to provide a powerful surround sound experience. The heavy thump of machine gun fire is backed up in the sub-woofer and moves around the speakers with the camera angle very effectively and the music/tension effects mix uses all the speakers too, making me look around more than once whilst I was watching!

All you get on this release in the way of extras are trailers for the film; though lots of early release Blu-Ray's dropped the extras from the previous DVD release, in this case the previous UK release  had no extras either. However there were extras available (the Australian and US DVD releases had a Director's Commentary, 2 featurettes, some deleted & alternate scenes and a number of stills galleries) and it's a shame the opportunity wasn't taken to include these on the UK Blu-Ray, though to be fair they were not on the US Blu-Ray either!

Dog Soldiers

Dog Soldiers, which pitches a group of UK squadies on manouvers in the highlands of Scotland against a pack of local werewolves, doesn't hark back to the Hammer days but looks instead to more recent action horror movies for its inspiration; it is much more Aliens than Alien.
In fact the film can be likened to Aliens (sometimes a little too closely) with the former even paying homage to the latter with a 'counting the ammo' scene and call for "short controlled bursts" which again (of course) goes unheeded. Replace the colony complex with a claustrophobic farmhouse in Scotland (actually shot Luxembourg) and the aliens with werewolves. Add a non-Hollywood edge (you have a lot less idea of who is likely to be next to die), stir in couple of small twists and mix with a good amount of dark and 'military forces' type humour and you've got a fair idea of the basic outline.
Oh, and talking of humour, look out for the in-joke of the piano piece that gets played.

The characterisations are well rendered, though a little clichéd, with each of the soldiers coming across as tough, though believable, people each standing out in their own way so you actually care about whether they live or die. This was backed up by good acting by a cast that seemed to me to have been given very good advice on how real soldiers spoke and acted. Even the weapons handling seemed to be, for once, realistic (something that I, for one, really appreciated).

Of course it wasn't perfect ... many have commented on the similarities to other films, though they often disagree on which films - Aliens, Evil Dead, Assault on Precinct 13, Southern Comfort; actually it doesn't sound like a bad set of films to be compared to does it? Being an independent they didn't have the massive budget for state-of-the-art special effects, though they did a damn good job with what they had and good direction and camerawork helped add to the threat of the creatures - no CGI here though excellent use of surround sound! The background about the why's and how's of the werewolves was not investigated and some scenes didn't seem to flow as well as they could, though the latter seemed to me to be where some cuts had been made for pacing and really didn't detract that much.

The DVD (UK, Region 2)
Presented in its original 1.85:1 aspect ratio and is anamorphic ... though sadly the image is not of the best quality and though some may say the gain and muted colours add 'gritiness' the over-the-top edge enhancement and poor black levels (for a movie with a lot of night sequences, unsurprisingly) certainly doesn't. Probably not the fault of the DVD makers though as the film was shot on a very small budget.

The Dolby Digital 5.1 sound track is better though and the surround aspect is well used and though not immersive all the way through it kicks in during firefights, with shots coming from all around, and for  occasional sound effects... all the better to make you jump?

The extras are quite extensive with two commentaries (one from the producers, the other from the director, cast & crew). The former is the only one that made it to the US disc (the producers are American but the movie didn't even get a theatrical release in the US for apparently being "too British" with lots of quite strong UK accents on display) and is informative and interesting, the latter has all those UK accents on display again and is just great fun as all the participants sound like they're having a great time here, and did making the film, taking the mickey and recalling incidents on set.

It doesn't end there though with Deleted Scenes and 'Gag Reel' (8 1/2 minutes, both with an optional commentary), a 20 minute "Making of..." featurette, Storyboard comparisons and a 7 1/2 minute short film made by the director called "Combat".
The theatrical trailer and a few bonus trailers round everything off.

Purchasing Information
It should be noted that if you have a Region-free player the R1 (as reported) cuts back on a lot of the extras and should be avoided but the R4 Australian apparently has some additional interviews with the cast and crew as well as a photo gallery so is probably the best version to buy.

Final Summary
You really can't ask for much more from the disc or from the movie with a relatively low budget action horror flick like this one; a release with real bite... snap it up!

Deathstalker II: Duel of the Titans

Deathstalker II, unlike others in the series of Deathstalker movies (there are four in all) deliberately laughs at itself and the genre as well as adding fantasy film 'in jokes'... and the jokes are actually funny! The lead has enough comic timing and charisma to carry it off, the villain(s) "chews the scenery" with relish and the eye candy is very pleasant... former Penthouse Pet Monique Gabrielle in a fun dual role.

Personally I would still say it is worth watching the the original Deathstalker film before this one... not really so much for the film (which is OK but not standout) but because it just makes it funnier when you see them re-use clips from various scenes to save money... and it isn't the only movie they re-use clips from!

Make sure you don't miss the out-takes during the credits, oh, and the theme music is ridiculously catchy and can be 'sung' along to very loudly when watching with friends and beers!

In summary director Jim Wynorski follows up the first, standard fare, Deathstalker with this brilliantly tongue-in-cheek sequel which has fun with the genre while sticking to the tried and tested clichés of cool heroes, evil villains, stupid guards and sexy semi-naked women!

The DVD: (USA, Region 1)
This release (by New Concorde) is sadly not in the original aspect 1.78:1 aspect ratio but is 4:3. I am unaware whether it's a Pan & Scan or Open Matte but I believe it's the latter... which may explain the appearance of an anachronistic modern car in the background of one shot! The image is what you'd expect from an 80s Swords and Sorcery B-movie, and though the nightime scenes are a bit blurry and 'grey' nothing stands out as particularly bad.

Audio is the original Mono (presented as Dual Mono) and sadly for those who are heard of hearing there are no subtitles.

On the upside it is the uncut version of the movie which runs an additional 10 1/2 minutes (about 12% of the movie!) over the cut version.

There is also a pleasant surprise in the extras in the form of an enjoyable and interesting commentary by the director (Jim Wynorski) and two of the leads (John Terlesky who played the eponymous title role, and Toni Naples who played the devious Sultana)... revealling (amongst many other things) that the director and lead actor practically re-wrote the script on the fly to change it from a straight sequel into a comedy.

The other extras are more like what one might expect from a movie of this ouvre: the original theatrical trailer (1:43), bonus trailers for the original Deathstalker and Barbarian Queen 1 & 2 and some biographical info for the cast.

Purchasing Information
As far as I can ascertain there are only 3 releases of this movie on DVD; this one, which is uncut with the audio commentary but in 4:3 ratio, another Region 1 release by Shout! Factory which is in the original 1.78:1 aspect ratio but is the cut version, missing 10 1/2 minutes of footage and an Australian release which is uncut but in 4:3 and no extras at all...

As long as you have a player that can handle Region 1 discs I'd say this is the one you want (either by itself or in the double feature pack with the original Deathstalker).
If you can't play Region 1 discs my information is that the Australian release is Region Free but I don't have the disc to confirm this).

Whichever you go for you will probably have to head for Ebay or Marketplace since I believe they're all sadly out of print (excpet via Roger Corman's New Horizons DVD site  which only ships to outside the US via their Ebay presence)... and even then you made need quite a lot of luck to find it at a reasonable price.

Final Summary
Director Jim Wynorski follows up the first, standard fare, Deathstalker with this brilliantly tongue-in-cheek sequel which has fun with the genre while sticking to the tried and tested clichés of cool heroes, evil villains, stupid guards and sexy semi-naked women!

What Happened There, Then?...

Yes, I've had a huge hiatus from this Blog and to my followers I apologise. So "What happened?" I hear, well, maybe a couple of people cry?

Simply put I suffered a bit of burn out; I found I was spending more time making notes as I watched my favourite DVDs and Blu-Rays than actually watching and that in turn was reducing my enjoyment of the content. I needed a bit of a break and that break just kept on extending as I got "out of the habit".

So, am I back? Well sort of... I won't be trying to review everything I watch, which would probably just result in another burn out (and my time for watching has already been significantly reduced because of a job change), but instead I'll make reviewing for this blog more of an occasional event and see if I can keep going!

I hope everyone reading will still find the reviews entertaining and useful... please place yourselves on stand by for content!

Well it's been a while...

I know, it's been an age since my last review but rest assured it's not because I've abandoned this blog... it's because I went on a cracking holiday to Rhodes to watch some great tribute rock bands and new rock talent... and then came back to a ton of work!

I have since been watching DVDs again but it's a long season son won't be ready for review for some time though I will endeavour to get something up on the site from notes made before the holiday break as soon as I can.

Thanks to all of you for being patient with me (assuming you have)... cheers!

The Expendables

As voted for by you, the site visitor, I watched the Blu-Ray of The Expendables and so here's the review...

The Expendables are a group of elite mercenaries led by Ross (Sylvester Stallone) with knifeman Christmas (Jason Statham), martial artist Yin Yang (Jet Li), Gunnar Jensen (Dolph Lundgren), Hale Caesar (Terry Crews) and Toll Road (Randy Couture).
They are hired to overthrow dictator, General Garza (David Zayas), military leader of the South American island of Vilena, who is backed by the shadowy Munroe (Eric Roberts) and his henchmen Paine (Steve Austin) and The Brit (Gary Daniels).

OK, from the off I will admit there are a lot of justifiable criticisms of The Expendables, pretty much all of which I did note, either mentally or actually jot down whilst I was watching. Since they really can't be avoided in a review I'll just dive right in with a few;

• The subplot about Statham and hgis girlfriend (Buffy's Charisma Carpenter) adds nothing really to the main plot
• The reasons for taking and continuing with the mission are slim at best
• The big names Arnie and Bruce Willis are only in the film for about 5 minutes in cameo roles (and aren't even credited)... 

my replies are

• So what, it's a bit of background character and what's not to like when the nice girl gets punched by her new fella and so his arse gets kicked?
• So what, the reasons are slim but that doesn't really detract... you know it's gonna happen anyway. any reason is good enough!
• Annoying if you were expecting more but now you know so you won't be :)

A few small things that did annoy me a bit more were the Hale Caesar and Toll Road characters not really getting enough 'individuality', which shouldn't have been that hard in such a small group. Also there are a few to many coincidences and illogical actions but mostly they were small enough to ignore... and the reveal at the end (you'll know what I mean when you get there) is obviously purely to set up for Expendables 2 and didn't really feel like it worked with what had happened earlier.. but still

To be honest my main pressing criticism is a technical one - the camera work on quite a few of the fight scenes was too close in and fast cut, especially when also cutting between multiple hand-to-hand fights; it all got a bit confusing and hard to see the action. This is a massive shame in a film with so much close-up fighting action (especially disappointing when Jet Li is doing his thing... which doesn't happen often enough IMO) but it isn't the first and won't be the last to make the mistake, and it's still shot a lot better than many others I could mention.

The shooting and knife throwing action (oooh, lots and lots of knife throwing) on the other hand is well shot even though it's still fast, frenetic and very bloody... though some may say they actually overdid the CGI blood (which happened on every wound), especially since it seems to almost glow red even in the dark... but it's just a stylistic touch and works especially well on the victims losing limbs or blown in half!

Not all the good stuff is action-related either; characters on both sides often aren't just ciphers, they have their own agendas and change their minds, their plans and even sides to a certain extent - all pretty logically too! Micky Rourke, as the Expendables' 'fixer/mission planner' is fine as the 'conscience and wisdom' of the group, Eric Roberts is a great cold-as-ice bad guy and Statham stands out in what is practically a leading role, even though Sly is producing, directing and starring (which shows some good grace on his part if nothing else).

Even the very simple plot is fine; a few small twists here and there but nothing that's going to get in the way of the action is really just what the film demands.

And when it comes to the finalé and you think they've already thrown in the kitchen sink they find another even bigger sink... fists, feet, knives, pistols, submachine guns, assault rifles, automatic shotguns (oh, check out what damage those explosive shotgun shells do; awesome), masses of grenades, a rocket launcher or two and more plastic explosives than a grown man should be able to carry... they certainly try to give you your money's worth on this one!

Yes, it's all very 80s macho and "good mates are better than any girl" attitude but did you really read the line-up and the plot and think otherwise... The Expendables is obviously exactly what they intended - an 80s style, over-the-top action film with 80s (and more recent) action stars combined with modern SFX... and that's exactly what they deliver, so sit back, take a deep breath of the testosterone filled air and enjoy the action packed, explosive ride.
I for one will be back for The Expendables 2.

The Blu-Ray (UK, Region B only):
Most important (to my mind) is that the small cut made for the UK cinema to get it a 15 rating has been restored so the Blu-Ray is uncut (and now rated 18)

As you'd expect the high-definition 2.40:1 picture is top notch (some said they had trouble in the night scenes but so long as I avoided strong light reflections on the screen I had no trouble at all).

Sound is 7.1 DTS-MA and uses all the speakers well for sound effects and musical score, keeping the speech clear through the front channels whilst using the rears for immersion... the sub-woofer gets a pretty good workout too!

No time to watch the extras (as you may have guessed, given my limited solo time on the home kit) but in my 'Bulletproof Edition' (steelbook case) on the Blu-Ray:

• Audio commentary by Sly
• Picture-in-Picture seamless branching expanded video commentary by Sly 
• From the Ashes: Post-Production documentary (27 mins in High Def)
• Gag Reel (5 mins) 
• Deleted Scene
• Theatrical Trailer, 2 TV Spots, Poster Gallery
• BD-Live  
• D-Box

In this set there's also an exclusive "Inferno: The Making of The Expendables" documentary (on a separate Blu-Ray disc) lasting about 88 minutes and the DVD of the film (2.35:1, 5.1 Dolby Surround), however I believe this is the UK cinema version and does have the cut in that the Blu-Ray reinstated. The DVD does have most of the extras from the Blu-Ray disc repeated (not the PiP and Blu-Ray only stuff) and also "Before the Battle" a different, smaller, making of documentary (15 minutes).

Other options are the regular Blu-Ray release (as per the Blu-Ray in this set so you won't get any making of documentaries) and the regular DVD release (the slightly cut 15 version, also as described above).

Some other countries have got some extra extras but the Blu-Ray is region locked in all territories so watch out!

Hint: It took an age to load up on my machine and has an unskippable trailer so I suggest putting it into the machine before you go and make that cup of coffee or pour that drink.

The quick version...

Well, that was explosive-tastic fun all round... full review with a tad more detail and a few criticisms as soon as I have a little time; don't expect it tomorrow though, I have lots of work on and one of the cats may need 'help' visiting the vet (ie. I may have to help catch him!)

Decision Made...

2 votes for The Sorcerer's Apprentice and 2 for The Expendables, but there was also a request not to watch Sorcerer's Apprentice too so the Expendables wins!

Worry not those who asked for a Sorcerer's Apprentice review though, the "No" vote from my wife was so we could watch it when she was home (which happens more often than me getting the Home Cinema to myself) so hopefully that one will be watched and reviewed soon too!

Thanks for voting... keep viewing the site!

What Shall I Watch?

There is an opening this coming Sunday for me to hog my home TV system and watch one of my Blu-Ray discs in all its glory, then follow that up with a review here on the blog (as soon as I can anyway!). However I'm not sure which of the Blu-Rays on 'the pile' to watch so I'm going to ask YOU which you'd prefer me to choose from the list below of films I've never seen!

The list in alphabetical order...

• 14 Blades - Donnie Yen in Ming Dynasty China takes on the evil Jia to return the Emperor to power (subtitled)
• The Expendables - Action heroes Sly, Statham, Li, Lungdgren et al take on a Latin American dictator!
• The Girl With the Dragon Tattoo - first in Stig Larsson's thriller trilogy (subtitled or dubbed)
• Green Zone - Matt Damon searches for WMDs in Baghdad and discovers a web of conspiracy and murder!
• Hunt to Kill - "Stone Cold" Steve Austin in a "bone-snapping bullet-blasting, ass-kicking action/thriller" !
• The Sorcerer's Apprentice - Nick Cage as a modern day sorcerer in Manhattan enlists a new, young recruit

It can be because you like/dislike it and want to see what I think of it, because you want to see my review before you consider buying it or even just because you think I'd enjoy it (or hate it and you want me to suffer!). Any reason is fine and you don't even have to tell me why you've made that selection if you don't want to... though of course you can!

Select one, put them in order or even tell me which one(s) you don't want me to see... all input is welcome.

Make your choice by leaving a comment on this post and the most common request wins!!!

Thanks in advance for input... let the comments commence.

The One

A superhuman criminal (Jet Li), once a member of the organisation that polices travel between dimensions, seeks to hunt down and kill variations of himself (Jet Li) in these alternate universes. In doing so he absorbs their 'power' and becomes even stronger and faster, and believes that, if he can become the only surviving version of himself, "The One", he will become a god.

In principle I felt the multiverse idea was innovative and interesting, and the premise of 'gaining power' by killing your 'other selves' was fine, but the script totally failed to tackle the huge questions and plot holes that this basic premise really demanded they at least tried to address.

On the upside Jet Li in the martial arts action scenes was great - I especially liked his use of different fighting styles when he fights 'himself' and he's a good enough actor to carry off the amount he needs to do in this type of action film.
The supporting cast (including Jason Statham), too, did a fair job and I was pleased that the script didn't use the "confuse the audience by mistaking the good Jet Li for the bad one" shtick too often.

However, add to the huge logic problems some occasional, far too convenient changes in the amount of power the Jet Li characters have which seems to depend on what the writer wants the set up or outcome of a scene to be (rather than keeping them internally consistent) and all the 'surprise twists' at the climax of the film being very predictable (not only predictable but, as implemented, you just know it wouldn't work) the film just doesn't live up to its potential.

I really wanted to like The One more than I did but despite some good action set pieces and the SFX being pretty impressive, though a little outdated in style now, the logic of the plot (or rather the lack of it) just kept rearing its ugly head too often for me to ever really just sit back and enjoy the martial arts eye-candy.

The DVD (UK, Regions 2 & 4)
The image is a full widescreen anamorphic 2.40:1 (so the image will be letter-boxed on any TV) and the sound is Dolby Digital 5.1 in English and French.
Subtitles are available in separate English and English for Hard-of-Hearing tracks plus French Arabic and Hindi.

Though I had a rental disc and didn't watch he extras there are quite a few on there including a commentary (by director James Wong and his production designer, editor and cinematographer), four featurettes (including ones concentrating on Jet Li, the Multiverse idea, and the 'Many faces of the same person' sequence in the film) and and animatic comparison plus trailers and filmographies.

Final Summary:
Overall a decent package of extras and though, as I describe above, the film itself was a bit of a disappointment you can now pick it up for less than the price of a pint... add a couple more beers and some mates and I dare say it would be fine as cheap Saturday night entertainment if you like a bit of Jet Li action and can drink enough to ignore, or not care about, the plot holes.

Reason for the Hiatus

Apologies for the break in transmission over the last couple of weeks. I haven't been reviewing any DVDs because, pretty much, I haven't been watching any due to the fact I was on a "rather intensive" Cisco networking course involving two qualification exams which rather took up my time.

However, the course is all over now so expect to see more reviews soon!

Sanctuary: Season 2 Summary and DVD set

Sanctuary is an organisation designed to protect "abnormals" (any weird sentient beastie... some benign, some nasty ones that need locking up for everyone's good) and humans from each other, run by Dr Helen Magnus (Amanda Tapping of Stargate fame) who is over 150 but never ages.
Helping her out there's Will (who's human but has a Sherlock Holmsian deductive ability from visual clues), Henry (tech expert and part time werewolf), Kate (tough girl) and Bigfoot (thankfully looking more like the Beast from Beauty and the Beast than from Bigfoot and the Hendersons!) and occasionally John Druitt  (Magnus' ex possessing nifty teleporting abilities... who went through a 'bad patch' as Jack the Ripper)

Season Summary:

There are some good episodes in this season (mostly at the beginning and end), and overall I think it does succeed in what it sets out to do which is expand on the characters and the whole Sanctuary idea. However, there are also some rather 'lacklustre' episodes too, with too much of the character expansion done in an obvious or exposited way, rather than using the visual medium which its being recorded on.

Technically the CGI can be quite weak at times (and once you notice the CGI backgrounds its hard to ignore them) but, to temper that opinion somewhat, it's because of the large amount of green screen CGI that the programme can afford to be made at all, by (for example) avoiding expensive sets, so I try to cut it some slack.
The 'multi-picture' screen (á la 24) is a feature which does occasionally get overused in some episodes (then totally forgotten for others) but most of the time it's used quite effectively so I hope they've now got used to their 'new toy' and its incorporation settles down from now on.

My big complaint about the season as a whole, however, is how much it de-constructed and rejected, rather than building on, the first season with the (far too quick and easy) removal of the Cabal 'big bad organisation' arc and then the changes made with regards to "The Five" which was the core of the set up in season one. Not that moving on from the initial season is such a bad thing in and of itself but, in this case, it seems a lot of it isn't being replaced by something else, it's just being thrown away. I'm hoping that this is because they have used this season to tweak the set-up to one they find more usable in future so they will build on the changes made here in season three (and beyond) rather than changing the ground rules again.
I would also prefer it if they made the tone a little darker throughout rather than sporadically... a bit more grey rather than pure black and white... but for that I may just have to watch something else as it seem that a lighter, less "hard core" attitude is one they are deliberately trying for and I have to accept my preferences aren't always those of the wider audience they're aiming at!

Those negative points made, the closing few episodes (especially) and the nicely put together finalé cliffhanger, plus the generally engaging characters, will get me back for season three to see how they continue the story and see if my hopes for the show's future come about.

The DVDs:

Technical stuff first; the image is presented in a 1.78:1 aspect ratio fitting widescreen TVs and is as good as you'd expect from a modern TV programme shot on HD RED cameras (barring the CGI usage mentioned already).
Audio is a choice of 5.1 Dolby or 2.0 stereo and subtitles are available but only in English.
The episodes are spread over 4 discs (all DVD9s) at 4 episodes per disc except the fourth disc which contains the final episode and the extras.

So, on to those extras for this set and they are quite extensive;

Commentaries: I've not checked these out but there's one on every episode, which is a pleasant change from the 'selected episodes' attitude of a lot of releases, which normally translates as "the first and the last episode of the season if you're lucky". There are, sensibly, a wide range of participants too, to keep the ideas as fresh as possible, including Amanda Tapping (actor, executive producer, director), Damian Kindler (creator and writer) and Martin Wood (director) amongst others.

Sanctuary at Comic Con: A quick hand-held intro of the arrival at Comic Con then a set of questions from the Q&A panel. The Q&A itself is interesting enough to make it worth watching but nothing mind blowing. The sound is annoyingly poor (obviously taken from the camera position in the hall rather than from a direct feed of the microphones) but at least there are subtitles if you miss anything.

As a personal aside, Amanda Tapping seems to look just as attractive here in 'real-life' as when made up on set for filming…

8 minutes

Will Vision - Behind the scenes: Robin Dunn's video diary/video blog where he does a lightning tour of the studio, sets, offices and the people behind the scenes. Not heavy on content but a fun piece with Robin coming across as a likeable guide.

13 minutes

Will Vision - Sanctuary Goes to Japan: Robin's video blog of the trip to Japan including location scouting, shooting days and press days. Again it is quite fun and easy to watch but also quite interesting.

11 minutes

Dancing in Mumbai: A look at the Indian set (the largest ever built for the series) and then onto the preparations and practice for Will's Bollywood dance number with hows, whys and the problems of Robin being a rather uncoordinated person! Interesting and amusing with a nice use of the 'multi-screen' technique to demonstrate what it actually looked like pre and post production... dancing on the hottest day of a Vancouver heatwave!

12 ½ minutes

International Sanctuary: An explanation of the expansion from the single Sanctuary institution (with occasional mentions of others around the world) as seen in season one to the global network seen in season two.

3 ½ minutes

Amanda Tapping Directs Veritas: Comments from various cast and crew on Amanda Tapping's first 'solo' effort at directing an episode, and her reasons for wanting to do so.

4 minutes

Anatomy of an Episode (Next Tuesday): Insights into the making of a single episode (not watched)

17 minutes

Behind the scenes Slideshow: What it says; a series of stills in an automated slideshow, some from the show and some from behind the scenes. The images are good quality but the lack of music to accompany them or any introduction makes it seem a bit 'cheap'

4 minutes

Bloopers & Outtakes; goofing around and corpsing; OK as far as it goes but nothing memorable.

5 minutes

Sanctuary for Kids: A promo by Amanda Tapping for a charitable foundation set up by the show. More info at www.sanctuaryforkids.com

1 minute

Sanctuary: Season 2, Episodes 10-13 (complete)

Episode 10 Sleepers - Young, rich people are apparently dying and then coming back to life; a strange Mexican drug clinic seems to hold the answers and it all starts to tie together when the Sanctuary team discover that their 'old friend' Tesla is running the clinic.


The returning Tesla character puts the spark (pun intended) back into the show that the previous few episodes were missing; though he has been shown to help out in times of crisis he always has his own proper (vampire based) agenda and, as such, avoids the "all the good guys are far too nice" trap that has blighted some episodes for me.
The plot is nicely thought out and the pace of the episode is good as the problem Tesla has created gets more out of his control until the cleverly worked out tracking down of the answer and twist ending. Add to this a lot of great humour deriving from Tesla's persona and one-liners and his new 'creations' learning what they are  and it adds up to a very enjoyable episode (plus there's a very nice in-joke about where Bigfoot has gone, given the extras on the disc).
My only problem with it overall is that the twist at the end makes it seem yet again that the series is rejecting what it cleverly set up in the first season but, in this case, at least it looks like they have a plan for something to replace the element they lose; evolving rather than abandoning.

Episode 11 Haunted - John Druitt returns, rescuing some Zula empatchs from a stricken ship. Soon afterwards he seems to be returning to his old 'Jack the Ripper' ways but then the Sanctuary seems to suffer from an even more serious problem.

Before I started watching I noticed that this episode was written by the same two writers (one of whom, Damian Kindler, also created the show) who wrote Pavor Nocturnus, which I regard as having a much stronger edge than a lot of the episodes have shown. Given this, and the welcome return of Tesla helping the last episode, I was hoping this one would push things up a notch before the two-part finale and I wasn’t let down... much.
After an action-packed start and a very threatening and a vicious opening scenes performance by Christopher Heyerdahl as Druitt the plot builds well, though occasionally a little slowly, adding tension throughout as what is behind the threat to the Sanctuary is investigated and unravelled.
One clever touch is that the viewer is 'clued in' by the Zulu empaths but the main characters (most of whom obviously don’t understand Zulu) are not, and have to learn the hard way. This does get a little overused but is effective in keeping the viewer on board and building the threat up as you join with the Zulus in a 'trying to tell characters "No, don’t go round the corner!"' type of way.
Again the finalé is well handled and there's a fair twist in the resolution but again this season seems to be abandoning (at least temporarily) some of the season one back story, which is a shame. Overall however it's another good episode in preparation for the big season ender… and I really liked the Die Hard gag too.

Episodes 12-13 Kali Parts 1 & 2 - Worldwide, normally peaceful abnormals are going psychotic and it all seems to be related to a small spider in India… and some mercenaries who are after it.

There is a slow build up as befits a two-parter but it's progressive and logical with all the different Sanctuary groups dealing with the problem separately but in an integrated way.
There are plenty of good elements during that build-up too; the bad guy mercenary leader is suitably smart and (for once) ruthless enough to be believed as a threat... and he has some good lines. Magnus having not only to deal with the threat of the creature but also the internal politics of the Sanctuary network as they start to question her decisions, works well as a change of perspective, making sure the main plot doesn’t race away too early… and it's done with a good reference back to episode 7, Veritas.
Visually the Indian sets are very good (one of the extras shows they are actually set up in the car park in Canada unlike the vast majority of the large sets which are CGI) with the on-set realism helped in its look by record high temperatures during the shoot, and the CGI for big-bad abnormal is above average for the series, especially underwater, which is an area that has let the series down on more than one occasion (especially biologics).
The mysticism aspect actually works this time because it has a 'psychic link' logical explanation (unlike in episode 3 Eulogy's dream walk sequences when it didn't) and is interestingly and quite cleverly realised and even Will's Bollywood dance scene fits with the story enough for it to actually work... and it’s fun to watch too.
Okay, so you have a good suspicion of where all this is going to end up on the principle, like season one, this one will end on a cliffhanger too, but the set up is well handled as one element is resolved only to have another bigger problem take over and overall the first two parts of Kali are a worthy finish to the season, keeping up the higher standard of the previous two episodes into the ending... and the show didn't finish on a cliffhanger then get cancelled!

Red Sun

At the start of the Western Red Sun Link (Charles Bronson) and Gauche (Alain Delon) with their band of outlaws rob a train and as part of their haul steal a sword being delivered by the Japanese ambassador to the President of the USA, Gauche murdering one of the Samurai bodyguards in the process. Gauche double crosses Link, leaving him for dead, but Link survives and is then forced to act as guide for Kuroda (Toshiro Mifune, who also appeared in the classic Kurosawa film The Seven Samurai on which The Magnificent Seven - which of course had Bronson in it - was based), another of the ambassadors Samurai to hunt down Gauche, avenge his friend and retrieve the sword. Link also wants to find Gauche but wants him alive so he can retrieve his share of the robbery loot and the pair set off in pursuit...

The sword, the loot and even the reasons the two men pursue Gauche for are really just McGuffins for the journey the two undertake whilst tracking him down; the physical journey of the pursuit (which is wonderfully shot) and the journey the two make from mutual dislike to respect for each other and maybe even friendship. Don't get the idea this is all 'emotional' stuff though as there are plenty of dangers, shootings and sword usage along the way and the pace never really slows that much. The one constant is Link trying to 'persuade' Kuroda (by fair means or foul) to let Gauche live long enough for him to find out where his loot is hidden and Kuroda's determination to avenge his friend and kill Gauche on sight.

All three main leads are superb, Bronson as the tough outlaw is well suited to the role and Kuroda as the perfect honourable Samurai (sworn to ritually kill himself out of shame if he doesn't recover the sword  within just seven days) especially play their parts to the hilt, with the changes of attitude in the characters coming slowly and logically as the two begin to rely on each other for mutual protection from bandits and Indians.
Alain Delon as bad guy Gauche meanwhile seems to be having a great time as the smart, debonair but ruthless criminal, though he's not given much to play off except in the opening scenes and in the (slightly over-stretched out) finalé, the two times when all the leads are together.

The action is pretty graphic and obviously someone has been doing their homework which shows is small things like all the pistols being single action and requiring cocking for each shot, which was accurate for 1870 when the film is set, and also in Kuroda's attitude when the pair stay at a brothel (run by a lover of Links, played by the alluring Capucine) where they kidnap Gauche's girlfriend, Cristina (Ursula Andress) who plays her small role acceptably (the men's attitudes towards women in the film are probably quite realistic but some may find them a bit misogynistic for easy watching).
A lesser script may have had such an 'honorable' man as Kuroda turning down female companionship in such a situation whereas in fact in Japanese culture men were sometimes traditionally offered women for 'pillowing' as part of a host's hospitality so it was quite natural for Kuroda to accept... even ignoring the fact he may only have a day or so to live if he doesn't succeed in his mission!
There are a couple annoying mistakes in the use of Japanese, when not using real Japanese spoken between Japanese characters. One was the use of the phrase Hara Kiri for Japanese traditional Samurai self-sacrifice after losing honour (it was actually only banned from being ordered as a form of capital punishment some 3 years after the film was set, adding to Kuroda's words that the Samurai tradition was dying out) whereas a real Samurai would be much more likely to use Seppuku, Hara Kiri being more of a slang term (though it does have Japanese etymology).The other was when the Japanese ruler is referred to as the Mikado which only came into use after the Gilbert and Sullivan operetta written ten years after the film's setting. Still, these are small things and may have been done deliberately to aid understanding.

Even though the story it tells of the bond forming between the two men is quite straightforward and one that's been seen before and since, it is told very well here, with great scenes of the battling of the two men's wills, and its hung on a basic plot which works well to support the action and drama. The above mentioned attention to detail and the general realism of the Red Sun works massively in its favour and along with some good action set pieces, some worthy acting, well written dialogue and some lovely cinematography make it well worth a watch.

The DVD: (UK, Region 2)
You would hope that when a DVD is released under a banner of "Western Classics" they treat the product as just that, a classic. Sadly this isn't the case here.

Though the print is clean (no obvious dust, sparkle or film damage that I saw) and the colours are probably deliberately muted to add mood, rather than a messed up transfer, the picture is extremely soft and any night scenes show up as 'mushy' with no deep blacks, and quite a bit of over-obvious grain... luckily it's mostly shot in daylight! Even if this is unavoidable due to the original film quality it isn't a good sign when the opening credits sequence has black bars down the sides of the actual image and then switches to a proper image after the credits are complete... unless the original was like this but it seems quite unlikely.

The aspect ratio is at least correct at 1.85:1 (an improvement over previous cropped releases) and the sound is the original mono (dual mono for the DVD and it seems to be very quiet, even for a DVD which has more dynamic range than VHS or than is permitted on TV programmes). However that's where it ends with no subtitles and no extras at all barring the ability to select a scene, not even a trailer (and that was on a previous 'pan and scan' release)... scene selection may have been a revolutionary feature in late 90s when DVD started to replace video tapes, but not what I'd expect of a "Western Classic". The film deserves better even though it is admittedly not that well known a title.

Sanctuary: Season 2, Episodes 7-9

Episode 7 Veritas - All the evidence points to Magnus being guilty of murder and even as Will defends herthat evidence grows. Three telepaths known as 'The Triad' are brought in to uncover the truth and it's discovered that Magnus has been lying about the supposed elimination of a hugely dangerous abnormal 'Big Bertha' years previously.

More a question of 'who and how' as you're pretty sure from the off that Magnus isn't going to turn out to be guilty of murdering a regular cast member this is nonetheless well done with the tension coming out of working out the truth at the same time as Will... though to be fair you do have your suspicions about who will turn out to be the bad guy just because the story tries too hard to convince you they aren't. Some clever ideas make this a clever and enjoyable episode and, interestingly, the first time Amanda Tapping has directed 'solo' (for the episode of Stargate she did she was aided by a regular director).

Episode 8 Next Tuesday - Magnus and Will collect a rare type of abnormal but their helicopter crashes on the return journey leaving them stranded inside a disused oil platform.

Not much of a story - it's all exposition about the past (a bad thing on a visual medium generally), flashbacks to earlier in the day (which gets annoying) and a rather weak monster sub-plot (and the ending is a bit of a cop out really) but the interplay in this two-hander is decent enough and, later in the episode, certainly seems to  be suggesting a possible mutual attraction between Magnus and Will (it would have been better to swap this and the previous episode, Veritas, in my opinion as at least it would have shown why Will was so loyal in the face of the evidence). It's a shame this attraction, which seem more than just respect, is not really expanded upon in coming episodes as it would have added an extra adult dynamic to the show... especially if John Druitt wasn't happy about it.

Episode 9 Pennance - A former gang member, Jimmy, attempts to bring his friend Magnus a rare abnormal but the underground mob he stole it from want it back. After a gunfight Kate is wounded and her and Jimmy hide out whilst the mob closes in... and unpleasant secrets from Jimmy's past are revealed.

The idea behind the device for the normally anger-prone abnormal mob boss is mildly interesting but doesn't really add up on closer examination (why build it and let someone else become boss rather than taking over yourself?) but the twist used against it is quite clever. sadly the rest of the episode is more flashbacks and more exposition based back-stories and even though this time they add into the plot in the end the confrontation involved seems actually less important or realistic than the less exciting and disconnected talk between Will and Magnus last episode, since you know it's not going anywhere and Kate (now she's a good girl team member) isn't going to kill someone who is also basically good, if flawed. Even the ending isn't as shocking as intended because the whole 'mercy shown by Kate' angle is bound to have to payoff somehow.

X-Men 2

Following on soon after the first X-Men film, X-Men 2 (sometimes called X2 or X-Men United) has William Stryker, a mutant-hating covert government operative, working to control and destroy all the mutants on the planet... and an unprovoked mutant assassination attempt on the President gives him the opportunity to carry out his plans.

X-Men 2 has the advantage over the original X-Men film that it doesn't have to introduce a lot of the characters or provide the whole world back story and it uses this advantage to the fullest. Not to say it doesn’t introduce new characters... oh, it does, but by weaving them into the ongoing plot, rather than giving them plots of their own (too many characters with their own full plots is what let down the third in the trilogy) it stops them overwhelming the film and means that the viewer can enjoy the new blood without being confused as to who is who. Of course comic book fans also have the bonus of spotting the new characters before they're named but the film doesn't fall into the trap of this knowledge being a requirement.

The story moves along at a terrific, though never rushed, pace throughout the two and a quarter hours of the film with fantastic action set pieces, with excellent special effects, at regular intervals all following on logically from the plot which is slowly revealed, often in a creative and exciting manner rather than through simple exposition. The characters are all well used and the pretty much all potential "Well couldn’t character X use their power to...?" questions cleverly addressed and simple short-cuts nullified. The writing also makes sure that each character is not just a 'power'; they're all real people with their own personalities and agendas… agendas which see 'villains' and 'heroes' on the same side even when disagreeing on methods. In fact there is significant blurring of the lines between what makes one a hero or another a villain when sometimes it just comes down to the means rather than the end... prejudice and hatred are the real bad guys here.

Four characters I'm going to give a specific mention (not including Sir Ian McKellan who is, as always, magnificent as Magneto); three positives:

Wolverine, of course, holds a lot of the focus of the film and is excellently played by Hugh Jackman as he protects the younger mutants (and it's great to see him really going to town with those claws even though the resultant blood is missing to keep the film at a more child-friendly 12 classification) and continues his quest to find out about his past.

Mystique, (played by wonderfully unselfconscious Rebecca Romijn-Stamos, despite her costume being practically just blue paint in places) with the ability to shapeshift into any person she wants, is used brilliantly to push forward the plot, also adding a touch of tension throughout as the viewer never knows whether who they are watching is her in 'disguise' or not; I actually wish we'd got to know the 'real Raven Darkholme' even better than we do rather than just through her actions in disguise.

Nightcrawler, new to this film, is played excellently by Alan Cumming and his ability to teleport is brilliantly realised on screen - it is just how this fan imagines it would look like based on the comics.

The fourth is sadly a small negative; Lady Deathstrike was really not introduced enough before her 'climactic' battle with Wolverine, taking away from the scene a little because it wasn't made clear how powerful a foe she should be… still, nothing's perfect!

In summary, though, X-Men 2 is one of those rare films which is a sequel that is better than the original with a plot that keeps the viewer engaged without being so convoluted it becomes muddled, top-notch special effects all the way through and 'believable' (in a superhero way) characters each with their own personality and place, adding to rather than diluting the plot, which all adds up to probably the best realised Superhero film made to date.

The Blu-Ray Disc (UK, Region Free)

The 2.40:1 ration image was very good if not quite up to the sharpness of some more recent films released on Blu-Ray, and the DTS-HD Master Audio 5.1 was of a similar standard.

Extras (which I haven't watched yet... sorry!) on the main disc are 2 commentaries (one by the director and director of photography, the other with screenwriters and producers) and 'Bonusview' picture-in-picture interviews and stills as well as some Marvel Universe trailers (X-Men Origins: Wolverine, X-Men, X-Men: The Last Stand, Daredevil and Fantastic Four).

A second disc has sections on History of the X-Men (2 featurettes, 23 minutes total), pre, during and post production featurettes (29 1/2, 102 and 28 1/2 minutes respectively), 12 minutes of deleted scenes and a stills gallery.

This is a good chunk of extra content but, to be fair, apart from the Bonusview stuff it was all on the original DVD release so don't expect anything new... though to be even more fair I must point out the US release didn't get the Bonusview material so has nothing new at all!

Additional audio tracks are Hungarian (Dolby 5.1) German and Spanish (both DTS 5.1) and there's also a simple English Dolby 5.1 in case your set up prefers that to the DTS signal.

Subtitles are available in Danish, Finnish, German, Hungarian, Norwegian, Spanish and Swedish as well as English (for the hard of hearing) and for the Commentaries.

Purchase Tip:

You can get the X-Men 2 Blu-Ray for under £10 now but if, as I do, you like the rest of the X-Men films, search out the X-Men Quadrilogy boxset which includes all three X-Men films and X-Men Origins: Wolverine and you can pick it up for only £6 or so more (which is presently cheaper than getting the Trilogy set for some reason!)... These are all the same region free 2-disc sets as individually, not cut down one-discers; you just don't get the Wolverine Triple play DVD/Digital copies - just the region A/B only Blu-Ray.

At about £4 a film on beautiful Blu-Ray even the lesser ones have got to be considered a bargain!

Doctor Who: Planet of the Spiders

Planet of the Spiders starts with ex-UNIT member Mike Yates calling in Sarah Jane to help him investigate strange goings on at a monastic retreat, run by a mysterious Tibetan monk K'anpo and his kindly assistant Cho-je, while the Doctor (Jon Pertwee) and the Brig (the late, much lamented Nick Courtney - used her more for comic relief than anything else... and who should be a much better shot in episode 2) investigate psychic activity as part of a pet project of the Doctor's.

Soon the two story strands join together as at the retreat a man named Lupton, with a band of followers, summons a large telepathic spider from Metebelis 3 and the pair team up to retrieve a large blue crystal, taken by the Doctor from that planet on a previous visit.

The action then jumps partly to Metebelis where the Doctor must use his intelligence and wits (as well as a little Venusian Aikido) free the enslaved human population from the tyranny of the "eight legs" and then face his own fears and "The Great One" (voiced by the late Roger Delgado's wife, Kismet) in the final confrontation.

This seems to me to be one of those serials which is often remembered for the negatives.

Yes, the massively long chase scene involving a gyrocopter, the Doctor’s roadster, Bessie, the Whomobile, a speedboat and a mini-hovercraft is a huge indulgence for Jon Pertwee in his final story, because of his love of speedy vehicles, and it could have been finished to the same effect in seconds rather than the 11 minutes it takes.

Yes, the CSO (Colour Screen Overlay - the bluescreen effect) is rather ropey at times, though this isn't unusual for the time.

Yes, the acting from some of the villagers once the story reaches Metebelis is, at times, abominable including a fluffed line William Hartnell would be proud of (one pace forward, Jenny Laird).

But what about the good things in this serial… lets just have a look at some of those.

The return of Mike Yates is a rare use of a character who has actually changed during his time on the show because of events in other serials… a proper personal story arc, and it also makes sense as part of the plot.

The well captured atmosphere in the retreat of deception and conspiracy and, counteracting the poor ‘Metebelan villager’ actors (who were, it must be said, hampered by stilted dialogue trying to show they’re backwardness) are pretty solid performances from all the supporting characters in the scenes set on Earth.

The special effects, barring the already mentioned CSO problems, are simple but extremely effective - the mental energy bolts look good (and line up with the live action) and the spider models are actually rather well made, especially since I believe the design team were advised not to make them too scary for the children (they're much better when they’re not moving I must confess, but compare them to the rubber toyshop ones appearing some 6 years later in the Tom Baker serial Full Circle and they’re masterpieces of terror!)

Lupton is a fantastic character; he’s not an arch-villain, he’s a sales executive upset by poor treatment from his company (I think many of us can relate to that) who just takes advantage of the chance to get the power to get his own back. He’s also played intelligently and believably by John Dearth with some great lines and real personality and it's a shame he’s mostly sidelined as the plot concentrates on the spiders as the real bad guys (well girls) as serial progresses.

The pacing is generally good and instead of just using the usual idea of splitting the 6 part story into two mini sub stories of 4 and 2 episodes, it combines this technique with splitting the story between Earth and Metebelis to keep everything moving along… OK it is helped a bit by that long chase scene and some very long reprises in the latter half but still, it works.

The plot is well structured, introducing new aspects and small twists as well as slowly but remorselessly raising the stakes right up to the end. Also the writing has some lovely lines for many of the characters - for example the rather non-PC treatment of the loyal but mentally 'backwards' Tommy (a surprisingly important character) is brilliantly countered by one of his lines after he's looked into the crystal.

Add to this the fact that Jon is obviously having a ball resulting in a good performance (rather than his sometimes criticised 'phoning it in' ones of some serials near then end of his run) especially as the serial, and his time as the Doctor, reaches its climax… an end faced bravely and stoically rather than lamenting his impending 'death'.

Elisabeth Sladen, too, is on top form as companion Sarah Jane Smith given full rein for the part as she plays the investigator, friend, liberator, and prisoner, all the while never losing her faith in the Doctor... and her smile as she hears the Doctor described as "quite naughty" by K'anpo lights up not only the screen but the whole room where you're watching.

Overall I think the positives far outweigh the really rather minor negatives and if the memory cheats, as Who fans are often told, then Planet of the Spiders is one that has suffered because of it rather than being remembered more fondly (as is the case for some other serials) because it really is a cracking adventure and a worthy send off for Jon Pertwee's Doctor.

--

This review is dedicated to the memory of Elisabeth Sladen who died this week; in fact I heard the tragic news of her passing whilst I had the DVD of this serial paused on her name credit at the end of episode 2. Widely believed, rightly so, to have played the finest companion the Doctor ever had she will be sorely missed but never forgotten.

RIP Elisabeth Sladen 1946-2011.

Sanctuary: Season 2, Episodes 4-6

Episode 4 Hero - There's a Superhero in town and whilst the team try to find out more about him there's also the discovery of a large, newly hatched egg to look into.

A stand alone episode with reasonably straightforward plots that, this time, are not kept totally separate from one another; you do actually feel like both are going on at the same time. There's some definite deliberate humour injected here which works as far as it goes, and in nicely balanced by a 'new girl Kate' subplot which actually has a bit of edge to it and is the best 'introduction to her character' yet.
Overall not bad, with Kate getting the best of it, but I'm missing Druitt and Tesla... and the ending really is a bit "Everyone has a laugh after the action's over" like at the end of each Star Trek episode with Jim, Spock and Bones!

Episode 5 Pavor Nocturnus - Magnus wakes up a few years into the future to discover a post-apocalyptic world where infectious 'zombies' roam the world and most of her team are long dead.

Though this is pretty obviously going to somehow be reset at the end of the episode it still has a tension to it that I'd been waiting for. The muted colours it's shot in add a deliberately downbeat look to it, the sets use more real props and less green screen to get an extra grittiness and the zombie creatures really are suitably scary - my investigations lead me to believe this is actually the only 15 rated episode of the season but obviously that means 15 applies to the whole set
Cast wise the change in character of Will between his usual self and future self is excellently done and Amanda Tapping plays Magnus just perfectly (maybe helped by the fact this episode is being co-written by the series' creator) as she searches for the cure the 'regular time line' her never did.
It is very reminiscent of the "I am Legend" story which has, of course, been done before but this episode is still edgier and more adult than anything else so far (one scene has been stated by Amanda Tapping as the toughest she's ever had to do in her career). The ending has a nice little reveal to it but basically is simple and it works rounding off an excellent, well crafted darker episode.

Episode 6 Fragments - A normally docile abnormal attacks a Sanctuary reseach scientist and the team investigate why but the scientist's husband cares less about why and more about making sure it won't happen again.

A nice little investigation style episode though it gets a bit too CSI: Sanctuary in places and, sadly, is a bit too easy to guess the general direction the outcome will take, in my opinion... maybe I've watched too much crime TV! However, the season is now really starting to miss the more individual "non-team-player" attitudes that Druitt and Tesla's presence gave the early episodes.
A decent enough episode which uses the skills of 'the team' well and does have some relatively mature themes but I'm a bit disappointed with the there being no sign of a new new arc following the apparent end of the Cabal, no new secrets being revealed that would lead to changes and no real character development except in the simplest of senses.

Sanctuary: Season 2, Episodes 1-3

(Contains spoilers for Season 1)

Sanctuary is an organisation designed to protect "abnormals" (any weird sentient beastie... some benign, some nasty ones that need locking up for everyone's good) and humans from each other, run by Dr Helen Magnus (Amanda Tapping of Stargate fame) who is over 150 but never ages.

Helping her out there's Will (who's human but has a Sherlock Holmsian deductive ability from visual clues), Henry (tech expert and part time werewolf), John Druitt  (Magnus' ex and possessing nifty teleporting abilities... he went through a 'bad patch' as Jack the Ripper) and Bigfoot (thankfully looking more like the Beast from Beauty and the Beast than from Bigfoot and the Hendersons!).

Episodes 1-2 End of Nights Parts 1 & 2 - Season 2 of Sanctuary starts off pretty much where the cliffhanger for Season 1 left off as the team try to track down Magnus' daughter, Ashley (who's been 'brainwashed' to work for the evil Cabal organisation) and work out what the Cabal have done to her and why. The first episode seems quite 'disconnected' for the first half with too many groups and threads not particularly well interwoven.

It picks up in the second half as the team stick together to start working towards one goal but there's still a sub-plot for Bigfoot which seems very 'tagged on' and unnecessary. After a rather ineffectual cliffhanger episode 2 is more action oriented but, in common with episode 1, the good guys seem to be a little to 'good' to be realistic with only the Tesla and John Druitt adding any edge to the proceedings, which is odd since at least in the UK the set is rated 15 and could therefore be (and could do with being) a bit 'harder'. Tapping does also occasionally up her acting game to show the harder side of Magnus but then lets herself down by being too trusting and motherly. To a certain extent this is quite reasonable but the script  sometimes makes her act this way to the point of stupidity, not aided by some rather stilted and/or clichéd dialogue all round.
The plot, whilst it works reasonably well, is quite derivative (Ashley really is in the Wolverine 'Weapon X' project) and despite being supposedly (well, according to the Cabal) impossible for the Sanctuary team to work out their plan it is actually solved in 2 minutes by Magnus and Nikola Tesla (yes, that Tesla - he's a vampire) having a chat. There are some nice humorous touches though and the final result is reasonably satisfying even if how they reach it is a bit of a cop out and obvious.

Episode 3 Eulogy - An obvious 'respond to the opener, set up for the next one' episode:

In the 'respond to the opener' section of the plot throughout the whole episode I sat there worrying they were going to 'jump the shark' and press some big reset buttons (including some ideas stolen off other shows... there's a blatant Star Trek one in there) but somehow they managed to avoid making the mistake you were fearing they might, despite the over sentimental attitudes on display (and the unexplained and rather annoying 'dream walk' sequences).
In the 'set up for the next one' plot strand the new girl (Kate, who they captured in the first episode) goes through the traditional 'can the untrusted mercenary become a proper member of the team' story in a self-contained little adventure (so self contained it didn't impinge on the other plot line at all which sat rather oddly). The funny ending is, well, fun, and gives a convenient result for future episodes but I think the whole issue should have been played out over a number of episodes as it could have been.

One odd plot choice was that John Druitt gets just about 3 minutes on screen in the whole episode to let everyone know he's actually been doing what the rest of the team probably should have been: (very successfully) going after the Cabal people who almost wiped them out in the first two weeks. I was hoping this would be Episode 4 at least instead of a side comment in this one.
Even though the two main threads did need to be addressed, overall I think this episode is much better when you look back at it after having finished watching. this is because the reasonably satisfying conclusions, in preparation for the rest of the series, are the only pay off for the episode that you get as you breath a sigh of relief that they didn't totally lose any edge the show had. Overall, personally I think in a lot of ways it was the off-screen Cabal hunting storyline that I'd have preferred to actually watch!

The Duchess

The Duchess is an interesting and enjoyable, though moving, drama about the Duchess of Devonshire (Keira Knightly) married off at 17 purely to produce a suitable male heir for the Duke, who seems to care nothing for her at all and in fact not to care much about anything else bar his pet dogs.

Sadly this young Duchess is seemingly only able to produce daughters which places a heavy strain on any little relationship there is; and the Duke's strong attraction to his mistress who lives under the same roof as them doesn't help to ease the situation either!

Being based on a true story I suspected, as I imagine most people watching did,  that it's not all going to 'work out beautifully' but I recognise that this is sometimes a good thing and I've certainly criticised many a all-too-nice Hollywood ending in the past. In this case, the ending as portrayed is true to the historical period in attitude and probably 'best of a bad lot' but because I felt for the well acted and realised characters (especially the Duchess herself) it was hard to see them suffer... I suppose if nothing else that just proves how much I did  relate to these characters, however different their lives are from our own, by the end of the film.

Advertised as an allegory for Princess Di (using the "There were three people in her marriage" tagline as well as the fact that there was a genuine Spencer family connection) but there's really very little of that in on the screen and it's almost totally just marketing department ploy - Keira herself has apparently indicated she's unhappy with the approach taken by the advertising too. There are some contemporary parallels drawn, especially with the forward thinking (for the time) Duchess herself, but it's far from what is implied on the rear cover of the DVD!

What I urge you to do is ignore this supposed Diana parallel and instead sit back with an open mind and drink in this sumptuous, beautifully made, emotionally stirring, well acted and absorbing film... that is what I did and I enjoyed The Duchess as a nice change from my usual action/SF fare (though that's not to say action films can't make you think or care about characters too... especially if they're SF!) and, for what it's worth, my wife and my Mum enjoyed it even more than I did!